Un voyageur dans une forêt de bambous dans une scène du film Grand Tour.

Cinéma Public,
because film is vital

On the big screen On the small screen
Crista Alfaiate et Lang Khê Tran dans un jardin luxuriant, dans une scène du film Grand Tour.

Grand Tour

Rangoon, Burma, 1918. Edward runs away from his fiancée Molly the day she arrives to get married. During his travels, however, panic gives way to melancholy. Determined to get married and amused by Edward’s move, Molly follows his trail on this Asian grand tour.

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Des femmes en burka sur la plage et une jeune fille en robe blanche dans une scène du film Leila and the wolves.

Leila and the Wolves

Drawing on the Arab heritage of oral tradition and mosaic pattern, Leila and the Wolves combines fictional drama, archival footage, and fantasy sequences to explore the collective memory of Arab women and their hidden role in history both in Palestine and in Lebanon.

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Ruth Gordon et Bud Cort dans une scène du film Harold et Maude.

Harold and Maude

The story of the emotional bond between a death-obsessed young man from a wealthy family and a devil-may-care, bohemian octogenarian. Equal parts gallows humor and romantic innocence, Harold and Maude dissolves the line between darkness and light.

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Salif Ciss

From April 1st to May 27


Ode to Joy: six European comedies

Laughter without borders, smiles without limits! The Ode to Joy film cycle invites you to dive into a jubilant panorama of European humor through six irresistible comedies, from slapstick to biting satire, through bittersweet humour.

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Maggie Cheung se fait maquiller dans une scène du film Irma Vep.

This Spring


“Audience choices” are back

To celebrate our fourth anniversary, we are presenting four films selected by our audience: Rob Reiner’s The Princess Bride, Joel Coen’s The Big Lebowski, Hal Ashby’s Harold and Maude and Olivier Assayas’ Irma Vep.

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Une discussion au Cinéma Public.

Ensemble au cinéma


Over 6,000 participants!

Through the “Ensemble au cinéma” cultural mediation project, we are pursuing an objective that is close to our hearts: to make the cinema a place where people can live together, where the experience of films is lived, shared and developed through exchange and discussion.

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Cinéma Public,
a cinema on the move